materiality of surrender

grieving the dying petrochemical age. performance (70min), calarts and L.A. dance project, 2024

materiality of surrender is a dance performance set in an evening parking lot, where two dancers move with a live band, real-time visuals and a car. transformed into an organic machine, it holds two tv monitors like internal organs, live cameras capture intimate and unsettling perspectives, inside performers’ mouths, across their skin. moving through the chapters denial, anger, bargaining, depression, and acceptance, the performance embodies the five stages of grief, merging bodies, live sound, visuals, and machine to grief humanity as we know it and speculate about new materialities of existence in a post-petrochemical more-than-human era.

excerpt from materiality of surrender: “all that is solid, melts into air; said karl marx in the late 1840s, characterising the nature of capitalism and its inherent urge for total transformation. merged with patriarchy and colonialism these forces have developed into a system of total exploitation, causing a global shift of living conditions towards human extinction.

as sealevels rise and climate drastically changes one thing is for sure: if we want to survive, we have to transform radically. If there is to be a future, it has to be non-binary, planetary and beyond capitalism. The current anthropocentric capitalist civilization has to die and we have to become something other than human: fungus, data, cyborgs or angels … only in surrendering to this fact lies a possibility for survival (…). “

Credits / working group:

Performer: Annalise Gehling, Freeda Electra
Costume: Danica Martino
Life-Sound: TOUFANA aka Jules Johnston, Lou Tandon, Jacqueline Tsai
Video-Design: Wei-Fang Chang
Lights: Emma McManus
Video: Camila Vidal
Production Assistant: Bonnie Kim Concept + Direction: Kim Dall‘Armi

Premiered and produced at California Institute of the Arts, Los Angeles as MFA Thesis in Chreography at Sharon Disney Lund School of Dance, April 2024